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Antonio Panda Gianfratti, Marco Scarassatti, Otomo Yoshihide, Paulo Hartmann – Psychogeography, an Improvisational Derive album cover (Not Two Records)
Catalog NoMW981-2
Released2019
FormatCD
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MW981-2

Psychogeography, an Improvisational Derive

by Antonio Panda Gianfratti, Marco Scarassatti, Otomo Yoshihide, Paulo Hartmann
About This Release

Psychogeography captures a rare cross‑continental meeting in São Paulo’s experimental improvisation scene. Recorded live at Red Bull Studios during Improfest 4/2017, it brings together Brazilian innovators Antonio “Panda” Gianfratti, Marco Scarassatti, and Paulo Hartmann with Japanese legend Otomo Yoshihide.

Their unconventional tools — textural percussion, viola‑de‑cocho and self‑built instruments, prepared and extended guitars, and Yoshihide’s guitar, bass, and turntables — create a vivid, ever‑shifting sonic terrain. Across six tracks, the quartet drifts through a dérive of scraped strings, sculptural percussion, and environmental turntable noise, driven by discovery rather than structure.

Marked by acute listening and fearless interaction, Psychogeography documents São Paulo’s improvisational singularity and a collaboration that feels organic, necessary, and fully alive — music built at the edges, where tradition, invention, and risk converge.

Tracklist
  • 1-23.555884,-46.6374735
  • 2-23.6027967,-46.6619298
  • 3-23.5681348,-46.522029
  • 4-19.8708043,-43.9667332
  • 5-23.5496581,-46.6389519
  • 6-19.9359989,-43.9201107
Recorded at RedBull Studios as part of Improfest on April 4, 2017.
Line-up
  • Antonio Panda GianfrattiContemporary Percussion, Drums.
  • Marco ScarassattiViola de Cocho, Self-made instruments (Kraiser, PássaroCocho, Tromp Kirk Roland)
  • Otomo YoshihideEletric Guitar and Bass, Turntables
  • Paulo HartmannPrepared 3rd Bridge Guitar, Freteless preparerd Chiquita,Gambelão and Effects.
Critical Reception
Somewhat esoteric snapshot of one tranche of Brazil’s improvisational scene.
<a href='https://www.jazzword.com/reviews/otomo-yoshihide-paulo-hartmann-antonio-panda-gianfratti-marco-scarassatti/' target='_blank' rel='noopener' style='color:#c2622c;'>Read full review at Jazz Word</a>
The quartet’s interplay is marked by acute listening and immediate response — eruptions dissolving into filigree, density giving way to near‑silence, a collective fabric in constant, unpredictable motion.
<a href='https://nottworecords.org/review-mw981.html' target='_blank' rel='noopener' style='color:#c2622c;'>Read full review at Not Two Reviews</a>